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Amazing Spider-Man, The (1963 series) #121

Jun 1973 on-sale: Mar 13, 1973

Gerry Conway
writer
 |  Gil Kane
penciler

Amazing Spider-Man, The (1963 series) #121 cover

Story Name:

The Night Gwen Stacy Died


Synopsis

Amazing Spider-Man, The (1963 series) #121 synopsis by reviewer Anthony Silvestro
Rating: 5 stars

Having rushed home from Canada after the news last issue, Spider-Man peeks in the window at the Osborn residence to see Harry not doing at all well. A doctor friend of Norman’s tells Gwen and Mary Jane that Harry’s been taking LSD and now has total clinical psychosis as a result. Spidey changes back into Peter, all the while agonizing about what made Harry start taking drugs again. Just as Peter is about to go in to see Harry, he’s stopped by Norman Osborn, who blames Peter for what happened and forbids him from getting anywhere near Harry. A startled Peter worries that Osborn is starting to regain his memories of the Green Goblin, when Gwen and MJ come out and discover Peter is there. Norman kicks them all out and forbids them from seeing Harry again, while they all stress about what could have led to this. Back inside, the possible reasons become clear when Norman receives a call about his increasingly plummeting stocks. A very out of it Harry comes in, stressed that everything his father has worked hard for seems to be falling apart, when Harry suddenly collapses again.

As Norman phones his doctor friend once more, Spidey makes his way to the Daily Bugle. He arrives, feeling more winded than usual and determines that he must have caught a virus when he was in Canada. A weary Peter makes his way inside and delivers his photos of the Hulk to Robbie. Not long after, Jameson arrives demanding Peter leave due to his sickness, which Peter is all too happy to, desperately wanting to crawl into bed. He changes back to Spider-Man and starts to swing back to his apartment, wanting nothing more than have a good talk with Gwen. Back at the Osborn’s, Norman’s friend says there’s nothing he can do for Harry, it’s up to him at this point. Norman gets more paranoid by the second, feeling as if he’s surrounded by enemies, when he fully hallucinates Spider-Man taunting him. Norman lashes out to no avail, before losing his mind completely in a full psychotic break! He rushes out to one of his old hideouts, his memories of being the Green Goblin having fully returned, and promises that Spider-Man will pay! The Green Goblin flies off to Peter’s apartment, only to discover an unsuspecting Gwen there instead…

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Mere blocks away, a woozy and wobbly Spider-Man makes his way back to his apartment, crawling in the window before stopping dead in his tracks! He discovers the place torn apart and Gwen’s handbag with a pumpkin bomb on it! Knowing what this has to mean, he jets outside to frantically locate the Goblin, his spider-sense eventually leading him to the George Washington Bridge. He discovers the Goblin atop the bridge with an unconscious Gwen, who tells him to forfeit his life or she dies! Spider-Man springs into action, narrowly avoiding the Goblin’s initial attack. Not wanting the Goblin to figure out how sick he is, Spider-Man decides to try and end this quickly! He snags the Goblin by the neck with his web and pulls him in for a huge punch with all his strength!

As the Goblin plummets down stunned, Spider-Man makes his way up to Gwen, planning to get her out of there as quick as possible. However, the Goblin recovers, landing back on his glider and swoops back up, knocking Gwen right off of the bridge! Time seems to stand still as Spider-Man desperately fires his web down to catch Gwen, snagging her by the leg! He carefully pulls her up, joking about a job well done, when he stops mid-sentence. Gwen isn’t moving. The cold reality then hits him as he pleads with Gwen not to be dead. She can’t be dead. He saved her. The Goblin taunts Spider-Man, saying that she was dead before his web ever reached her, but that his own death will be much more painful! As he cradles Gwen’s body, Spider-Man howls out that the Goblin is going to pay for this! For killing the woman he loves, the Goblin is going to die! To be continued!

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Characters
Good (or All)
JJJAMESON  
J. Jonah Jameson
(JJ Jameson)
MJWATSON  
Mary Jane Watson
(Mary Jane)
ROBBIEROBERTSON  
SPIDERMAN  
Spider-Man
(Peter Parker)

Enemies
GREENGOBLINGNO  
Green Goblin
(Norman Osborn)

> Amazing Spider-Man, The (1963 series) comic book info and issue index



This comic is in the following collection:
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Collecting Amazing Spider-Man (1963) #105-123.

Main/1st Story Full Credits

Gil Kane
John Romita
Dave Hunt
John Romita (Cover Penciler)
John Romita (Cover Inker)
Unknown (Cover Colorist)
Additional Credits
Letterer: Art Simek.



Review / Commentaries


reviewer
Amazing Spider-Man, The (1963 series) #121 Review by (January 28, 2026)

Review: You know this issue, don’t pretend you don’t. This may just be the most famous moment in Spider-Man’s history. In fact, it really can’t be understated just how important of an issue this is, not just for Spider-Man but for comics as a whole. Killing off long-term love interests just wasn’t done before this. It was unthinkable that it could happen. Not only would it be fair to call this quite possibly the most famous death in comics (outside of origin stories), but it single-handedly brought about the end of the Silver Age of comics! That’s a lot of impact! And it still has just as much impact reading it, even when you know what happens. There’s this foreboding tone throughout, especially when Osborn cracks up again in a more scarily intense way than he ever has before. Sure, they promise a death on the cover, but comics use tricks like that all the time to get you to read. So, I imagine people reading this for the first time back in 1973 were wondering the whole time if they were really going to do it or if it was going to be a cop out. Surely, the hero will save the day like always, only this time…he doesn’t. She’s dead, just like that.

The big moment in question has just as much impact as ever, and still kind of hurts to read. It has the maximum level of emotional punch, especially the moment where Peter realizes what happened. Gerry Conway’s dialogue sells it so well. It’s heartbreaking in every way. Now, I would be remiss not to at least mention the “Women in Refrigerators” trope. While yes, Gwen’s death hits all the checkpoints of the trope, having no agency, shocking and brutal, maximum trauma for the male hero, etc., it feels less mean-spirited. Most future examples kill off a female character just to motivate the hero for that story, and it’s forgotten about just as quickly, but this one has actual impact. This has never been forgotten about and never will be (for better and worse). Along with next issue, and I’ll get into it more then, this is the story that truly starts Gerry Conway’s run, and it’s a heck of a way to immediately leave your mark. This story is every bit the classic, heartbreaking tale everyone knows it as, and certainly delivers on its promise as a turning point. Gwen Stacy is dead and Spider-Man comics, and comics as a whole, will never be quite the same.

Comments: The death of Gwen Stacy. An annotation incorrectly lists the first time Harry was on drugs as issues #97-99, when it was actually #96-98. Although Spider-Man identifies the bridge that Green Goblin took Gwen to as the George Washington Bridge, what is actually depicted is the Brooklyn Bridge.





Thor

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