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Amazing Spider-Man, The (1963 series) #122

Jul 1973 on-sale: Apr 10, 1973

Gerry Conway
writer
 |  Gil Kane
penciler

Amazing Spider-Man, The (1963 series) #122 cover

Story Name:

The Goblin's Last Stand!


Synopsis

Amazing Spider-Man, The (1963 series) #122 synopsis by reviewer Anthony Silvestro
Rating: 5 stars

Spider-Man holds the lifeless body of Gwen Stacy as the Green Goblin taunts that he’s about to join her in death! Spidey carefully places Gwen’s body at the dock of the bridge and swings back up to attack the Goblin, stating that he’ll be the one who’s going to die! Spidey jumps on the Goblin, wrapping his legs around his neck and mercilessly wails on him! Blinded by his rage, Spidey doesn’t notice the Goblin flying towards the bridge until it’s too late, the Goblin knocking Spidey loose on one of the bridge cables. Spidey saves himself from falling and swings back up to find the Goblin’s already escaped. Spider-Man then notices that a crowd has found Gwen and swings down, putting himself between her and the crowd, absolutely refusing that anyone come near her! Spider-Man cradles Gwen, promising that no one will hurt her, as their entire history flashes through his mind, the good and the bad. Spider-Man is pulled from his thoughts by the police telling him the ambulance has arrived. He clarifies that an ambulance won’t help, and blames himself for her death! Based on that apparent confession, the police try to take him in for questioning, but Spidey throws them off and swings away, on a mission to find the Goblin and make him pay!

Peter’s first stop is to check out Osborn’s townhouse, where he finds Harry still in the midst of a drug induced fit, not quite sure what’s real and what isn’t. He realizes that Harry is no use to his search and makes the decision to ignore his friend and continue his quest for revenge, while Harry pleads for Peter not to leave him all alone. Spider-Man then makes his way to the Daily Bugle, hoping Robbie may be able to help him find Osborn. He arrives just as Robbie receives the news of Gwen’s death, which he confirms to the shocked city editor. He asks Robbie to make some calls to find out if Norman Osborn has been seen anywhere lately and if he owns any unusual properties. Robbie is able to discover that Osborn’s been seen near a warehouse he owns on 23rd and 9th avenue. Grateful, Spider-Man begins to depart just as Jameson arrives, decrying Spider-Man as a murderer given he’s being reported as responsible for Gwen’s death. Spidey webs up Jameson’s mouth and swings off to investigate the lead Robbie found.

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Meanwhile, at that very warehouse, the Green Goblin prepares for Spider-Man’s arrival. The Goblin hears Spider-Man arrive and flies out to surprise him but ends up getting blindsided himself! Spider-Man dodges his attacks before smashing down on the Goblin’s glider, wrecking it. The Goblin lashes out in anger at that while demeaning the worth of Gwen’s life by comparison. This causes Spider-Man to totally lose it, as he mercilessly hits the Goblin over and over in a blind rage! Just before he can kill the Goblin, Spider-Man suddenly snaps out of it, realizing what he almost did. The Goblin uses the opportunity to call his remote-controlled glider, situating it behind Spider-Man. As the glider careens toward Spider-Man, he’s suddenly alerted by his spider-sense and ducks out of the way, causing the glider to slam into the Goblin and impale him against the wall! The Goblin slumps to the ground dead, and Spider-Man discovers that it doesn’t make him feel at all better. If anything, all he feels is even more empty and alone. Spidey exits the warehouse, as a mysterious figure watches from the shadows!

Epilogue: Peter returns to his apartment to find Mary Jane there, having waited hours. She says she heard about Gwen and Peter lashes out at her in grief, not believing she’d really care and tells her to just leave so he doesn’t spoil her fun. Stunned and hurt by his words, Mary Jane opens the door to leave, and hesitates. She contemplates a moment, then makes the decision to stay and comfort Peter, closing the door with a “click.”

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Characters
Good (or All)
JJJAMESON  
J. Jonah Jameson
(JJ Jameson)
MJWATSON  
Mary Jane Watson
(Mary Jane)
ROBBIEROBERTSON  
SPIDERMAN  
Spider-Man
(Peter Parker)

Enemies
GREENGOBLINGNO  
Green Goblin
(Norman Osborn)

> Amazing Spider-Man, The (1963 series) comic book info and issue index



This comic is in the following collection:
ad
Collecting Amazing Spider-Man (1963) #105-123.

Main/1st Story Full Credits

Gil Kane
John Romita
Dave Hunt
John Romita (Cover Penciler)
John Romita (Cover Inker)
Unknown (Cover Colorist)
Additional Credits
Letterer: Art Simek.



Review / Commentaries


reviewer
Amazing Spider-Man, The (1963 series) #122 Review by (February 4, 2026)

Review: The most influential Spider-Man story of all time concludes with the other occurrence it’s most known for, the death of the Green Goblin! Yes, it was retconned much later, but this was his canonical death for a whole 23 years, I’m counting it. This issue shows how scary an angry Spider-Man really is. He callously leaves the drug addled Harry to his delusions even as he pleads for help, and nearly beats the Goblin to death until he’s ultimately impaled by his own glider. You know the scene (or at least the flashier recreation from the first Spider-Man movie). Bloodless as it may be, it was probably still pretty shocking to see someone impaled to death on panel in 1973, as shocking as the events of last issue. This story wasn’t the end of the Silver Age for nothing. Just as with last issue, the emotional impact of every scene still hits perfectly.

The other most important aspect of this issue is its iconic ending. See, Gerry Conway really liked Mary Jane and felt she could used better, leading to this issue’s ending. Mary Jane tries to console Peter about Gwen’s death and he utterly chews her out, claiming she wouldn’t care if her own mother died (words that serendipitously hold more significance with the hindsight of her later backstory)! Obviously crushed by these words, she contemplates leaving. And yet, the seemingly flighty party girl fights her usual impulse to run away, and stays with him, shutting the door with a fateful “click”, thus marking the beginning of her fascinating character development and trajectory. It’s one of my favorite character moments in comics. There’s another famous “click” involving the two of them at the end of Conway’s final issue, the two acting as bookends for his entire run and lending to the idea that this is when his run truly starts. A phenomenal ending to the most heartbreaking Spider-Man story, an utter classic and the turning point for the character, and for comics as a whole!

Comments: Death of the Green Goblin. An annotation once again incorrectly states Harry’s first experience with drugs as being #97-99, when it was actually #96-98.





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