This issue pivots from cosmic warfare to personal reflection and comedic chaos. It opens with Hulk confiding in Doc Samson about his recent encounter with the Maestro—the tyrannical future version of himself from Future Imperfect. Banner admits that what unsettled him most wasn’t the Maestro’s power, but the haunting resemblance to his abusive father, Brian Banner. That psychological echo triggers Bruce’s fear that he’s losing control to his Savage Hulk persona again, despite years of integration.
The tone then shifts dramatically as Rick Jones and Marlo Chandler prepare for their wedding with separate bachelor and bachelorette parties. Rick’s party, hosted by superheroes including Iron Man, Silver Surfer, and the Thing, devolves into absurdity when the group watches a risqué film—only to discover Marlo starring in it from her pre-heroic acting days. The moment is played for laughs, but it also adds depth to Marlo’s backstory and Rick’s enduring ability to roll with the punches.
Meanwhile, Marlo’s party is equally chaotic, featuring cameos from Betty Banner, Lyja, She Hulk and other Marvel women. The issue is a tonal detour, blending introspection with slapstick, and showcasing Peter David’s range—from psychological nuance to sitcom-level humor.
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