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Uncanny X-Men, The (1981 series) #198

on-sale: Jul 9, 1985
Chris Claremont | Barry Windsor-Smith

Uncanny X-Men, The (1981 series) #198 cover

Story Name:

Lifedeath: From the Heart of Darkness


Synopsis

Uncanny X-Men, The (1981 series) #198 synopsis by Anthony Silvestro
Rating: 4 stars

Storm wanders through the African desert, injured, alone, and lost amidst a raging sandstorm. She howls for the wind to die down and just after, the sun shines brightly once more. This makes Ororo think at first that her powers have returned but she quickly finds it to have been a delusion. The sandstorm rages on and she begins to hallucinate Forge. At first, she is glad to see him until she remembers what he did to her and she angrily leaves the hallucination behind. She trips and finds herself tangling with a viper. She manages to hurl it away though she thinks she may have been bitten. She finds a small cave to take refuge in and feels she may die there. Ororo then hallucinates the X-Men in the cave, feeling pangs of resentment for having been taken from her home by Xavier. Had that not happened, she would still have her powers today. She voices regrets to the Jean hallucination at not being able to save her and the Wolverine hallucination offers to end her suffering. “Xavier” points out that he took Ororo from her comfort zone, a place she may never have left otherwise, remaining spiritually an infant.

Storm’s anger drives these hallucinations away as well and she discovers she had not been bitten before. The snake crawls harmlessly away and Ororo begins to wonder if this had all been some kind of divine test. Ororo then comes upon a crashed bus, the only survivor being a pregnant woman named Shani. Ororo notes the irony to herself, that she’s in even worse shape than Shani, but must act as the rescuer anyway. The two of them start the long trek back to Shani’s village, and Ororo keeps her talking to keep them both awake and alert. They stop for the night and light a fire, allowing Ororo to do some soul-searching. She realizes that she had always been afraid of change and trying something new, and that her closing off her emotions, what she thought was a way to control her powers, had really just been cutting off her humanity. Morning comes soon and Ororo and Shani discover a veritable graveyard of broken down and discarded machines. As they trudge on, Ororo notes that the ground becomes more barren and desolate, until they are at last back at Shani’s village.

They are met by Shani’s parents and the village elder Mjnari, who welcomes them back with open arms. Soon after, Ororo passes out from exhaustion and awakens later to find that they’ve tended to her as best they could. Mjnari alerts Ororo that there are complications with Shani’s baby being born. Ororo promises to help as much as she can and acts as midwife, coaching Shani along while the villagers perform a dance outside to aid as they can. Shani’s son is born but Ororo realizes he isn’t breathing. She performs mouth to mouth for several tense moments until at last, he lives! Mjnari blesses the child before stating that he has one last duty to perform. Ororo notes that the general air becomes somber as Mjnari begins to trek out of the village, and Ororo realizes he won’t be coming back. She asks why he’s doing this and he tells her about when technology was brought to their land in order to aid them but was inevitably misused, causing their land to dry up and wither away once the machines broke down.

The village realized they can only produce enough crops to maintain a fixed number of people. Therefore, when a new life begins, another must end, in order to maintain balance. Mjnari hopes that when the land begins to heal, that future generations will learn from their mistakes, and that Shani’s baby represents hope for the future and new beginnings. Mjnari wills himself to die and Ororo mourns, his words staying with her. He said that the old and new ways must be united for things to flourish, and a bridge must rise up between them. Ororo is filled with a renewed sense of purpose, to take that idea to heart in terms of humans and mutants, to be the bridge to hopefully unite them together in peace. Invigorated by her newfound purpose, Ororo realizes that though she has no powers and can no longer fly, she soars where it truly matters, in her heart and soul!


Characters
Good (or All)
STORM


> Uncanny X-Men, The (1981 series) comic book info and issue index



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Main/1st Story Full Credits

Barry Windsor-Smith
Barry Windsor-Smith
Barry Windsor-Smith
Barry Windsor-Smith (Cover Penciler)
Barry Windsor-Smith (Cover Inker)
Unknown (Cover Colorist)
Additional Credits
Letterer: Tom Orzechowski.



Review / Commentaries


Uncanny X-Men, The (1981 series) #198 Review by (July 24, 2025)

Review: Part II of Lifedeath naturally brings an entirely Storm-focused issue. In fact, she’s the only regular character to genuinely appear! The first part of the issue deals with Ororo’s soul-searching as she wanders through a sandstorm in the desert, a rather apt allegory for her mental state and lack of direction. She even hallucinates the X-Men (and Forge), showing just how bad things are, though she does get to work through some of her demons. The second part suddenly pivots into an environmental message warning against the mistreatment of land and the misuse of technology. However, this does ultimately serve to tie everything up by giving Ororo a renewed purpose, to act as the bridge between humans and mutants, having now been both. This issue isn’t quite as classic as the first part; when most people think of Lifedeath, they’re likely thinking of part 1. Even still, it’s quite a good issue with particularly raw and striking visuals. All in all, a worthy follow up to the first part, even with the odd pivot, making for a rather philosophical issue!

Comments: Lifedeath part II. As with the last part, Claremont and Windsor-Smith co-plotted this issue.





Thor

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